Oh Bloodbound, what a strange journey it has been. Before they ever 
released a record, I was one of those people in the right places online 
to hear about this upcoming new band that was set to do something 
special. I heard "Nosferatu" that first day, and I
 sensed the spark of something great. We know the story by now. Urban 
Breed came, then went, then came, then went. Over the course of their 
time together, Bloodbound has made two albums that I think are 
fantastic, including one that is in my top twenty of all
 time. Those are the two albums with Urban. The others have left no 
lasting impact on me, which makes passing judgment on Bloodbound as a 
band difficult to do.
I have, however, kept giving each new album a try, in the hope they can 
recapture what made them great at one time. The band has found stability
 in the last three albums, but that stability has come at the expense of
 inspiration. Bloodbound has settled into
 a predictable groove now, with each album following a template.
That's not to say they don't color around the edges a bit. This time 
around, Bloodbound is throwing more keyboards back into the mix, adding a
 hint of cheese and symphonic bombast to the songs. It's not a bad 
approach, since these songs are not composed in
 a way that puts the riffs at center stage much of the time. The one 
questionable use of this tactic is evident in "Tears Of A Dragonheart", 
where the keys back every syllable of the chorus. It's one layer too 
many, and distracts from the hook.
Moreover, what's lacking here are those songs that have big, melodic 
hooks for days. Songs like "Unholy Cross" and "Bonebreaker" from this 
version of the band did that incredibly well, and it's not to be found 
here. Instead, "War Of Dragons" is filled with
 hooks that replicate the hits of percussion. I know that the removal of
 melody has been a big trend in heavier regions of the metal universe, 
but a power metal band like Bloodbound can't afford to get rid of the 
defining aspect of their sound.
And by the time the woodwinds make an appearance on "Silver Wings", it's
 apparent that this album is an attempt to make something out of the 
Rhapsody playbook, a soundtrack to a fantasy story I don't care about. I
 was cringing a bit just from the title referencing
 dragons, but my utter lack of interest in anything fantasy-realm 
related makes the subject matter here a chore. I don't know how power 
metal got stuck on swords and dragons, but I wish they would stop.
So "War Of Dragons" continues Bloodbound's flat-line trajectory. This 
incarnation of the band has found what they want to do, and they keep 
churning out albums that I suppose appeal to enough power metal fans. 
Myself, I find their current approach to be stale.
 "War Of Dragons" isn't a bad album, but it's a bland take on something 
that is meant to be grandiose. I realize they're never going to reach 
the heights I remember them for, but I would like to say I see some 
forward momentum for the band. Unfortunately, I
 don't. Bloodbound is stable now, but that might have made them too 
safe.
 
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