Soen is an interesting case. As the return vehicle of former Opeth 
drummer Martin Lopez, everyone was expecting a band that touched on the 
same basic themes as the legends. Instead, Soen's debut record was a 
near exact copy of Tool, which while a good record,
 was shocking in how much it plagiarized that band's sound. They brought
 in a few of the more Opeth-ian bits we expected on their second album, 
which was one that veered a bit too far into the abstract. So with two 
records under their belt, and no identity
 of their own having been firmly established, that led to serious 
questions being raised about this, their critical third album. The best 
news leading up to the release was that the band had focused on a more 
natural recording process, which would hopefully
 lead to a more organic record.
We got out first taste of this new approach through the two singles, 
"Sectarian" and "Lucidity". The former opens the record, and introduces 
us to a new approach that is no longer afraid of the band's most obvious
 connection. The opening chords and the bridge
 riff are pure Opeth, as are many of the riffs that drive these songs. 
The Tool influence from the debut has been replaced with a more melodic 
edge, which is a wise move, as it gives Soen an identity that finally 
feels like their own. That is highlighted on
 "Lucidity", which diverges from everything we know about the band to 
spend its nearly seven minutes as a slow, plaintive ballad that 
highlights some lovely harmonies.
Three albums in, and I don't think it's possible for Soen to have found a better vocalist. Joel
Ekelöf is the ideal blend of Maynard and Mikael,
 which allows the band to shift their focus from rhythm to melody 
without having to think twice about it. And with two albums under his 
belt digesting this rhythmic beast, the melodic writing
 has become stronger than before. That has been my main gripe with Soen 
so far. While they have a great sound, and some intricate rhythms, the 
melodies sitting atop them have not always been up to the level of the 
rest of the band. This was most apparent on
 "Tellurian", which I feel suffered from a lack of real songwriting.
"Lykaia" is the best distillation yet of the Soen sound. Martin Lopez is
 still playing tricky rhythms, and the guitars have just the right 
amount of dark bite to them, but everything hangs together as more 
cohesive songs than before. Now, when a song like "Orison"
 breaks down into a slow and somber section, it feels like the natural 
flow of a composition catching its breath. All bands have growing pains,
 even those formed from veteran musicians. Soen had to make it through 
that period in the public eye, but it's clear
 they are emerging on the other side now.
If you allow me a slightly indulgent aside here; when Opeth phased out 
their growled vocals a few albums back, there was massive interest in 
hearing what they could do, and how big they could get, with a more 
appealing facade. Obviously, that didn't work out,
 as Opeth is now flailing to justify their current sound. I mention this
 because "Lykaia" is exactly what we were hoping Opeth was moving 
towards; heavy, melodic, involved music that is immediately gratifying 
but still challenges us as listeners.
Sometimes you don't realize something is needed until it falls into your
 lap. "Lykaia" is the album that the metal universe needs right now. 
While metal is fracturing into tiny splinters with fans that no longer 
cross the boundaries, Soen has made an album
 that is is the embodiment of what truly modern progressive metal can 
be. Opeth set the metal world on fire with a run of albums that could 
never bridge the divides between us, but "Lykaia" can. Let me say 
something controversial here; the only thing holding
 "Lykaia" back from being the most important metal album of the year is 
the lack of growled vocals, and if you're one of those people who won't 
listen to metal with clean singing, you aren't a fan of music. Full 
stop.
I've been a bit harder on Soen than many, because I could imagine where 
they could wind up. This is that place I imagined, and now that they're 
here, we need to recognize that "Lykaia" is quite possibly the album 
that will define metal in 2017, and the first true contender to be Album Of The Year.
 
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