It's not pleasant for the other members of a band when the singer 
becomes synonymous with the name. That's what happened with Whitesnake, 
as it became in the eyes of the public David Coverdale and whoever he 
happened to have standing behind him in the latest
 video. That left the members who helped build the band to languish in 
the background, even as Coverdale was introducing the umpteenth version 
of the band to their recent comeback success. Two of those former 
members decided to step out of the shadows and form
 Snakecharmer, but now that we're left with only bass player Neil 
Murray, does the pun really stand for anything anymore?
In a way, yes, because Snakecharmer is still breathing life into the 
bluesy variety of hard rock that Whitesnake was playing all those years 
ago. Since everyone involved is a veteran with miles of experience, the 
first thing that can be said about Snakecharmer
 is that they are a group of professionals who have made a polished and 
professional album that lives up to their skills. Depending on how you 
view rock and roll, that can also be a negative, since there isn't any 
grit or energy to these songs in the same way
 a young and hungry band can create.
The blues are not a relaxed musical form, so the tempered performances 
but forward by these old hands might not be exactly what was needed. 
Everything is played and sung flawlessly, but I can't help but think 
having a bit more bite to some of the guitars, or
 pushing the tempos on the slower numbers, would have given the album a 
bit more life.
The thing about blues-rock is that if you adhere too closely to the 
standard blues riffs, there isn't always an opening for a melodic vocal.
 That's what keeps songs like "Are You Ready To Fly" from, ironically, 
rising up. Songs like "Follow Me Under" are far
 superior, because the chorus perks up enough that the vocal is able to 
bounce over the top and make for a more appealing hook. It finds the 
right balance between traditional blues rock and an approach more 
engaging for today.
I wish I could say they spend most of their time on that side of the 
ledger, but too often they put the blues groove ahead of all else, which
 is the way things used to be done, but forty years of bands playing the
 same variants of those riffs has left us needing
 something more to the songwriting than what we've already heard so many
 times before. "Hell Of A Way To Live" is a really good song, but there 
aren't enough of them on the record. Too many of these songs are 
rehashing the same material these men have been
 playing their entire careers. That's probably fun for them, but it 
makes the present seem a bit tired.
"Second Skin" is an impeccably played album that probably does give fans
 of bluesy rock who gave up on new music in 1983 exactly what they want.
 But since I am not a product of that time, and my memories of 
Whitesnake are with John Sykes involved, Snakecharmer's
 biggest appeal is lost on me. This record isn't meant for me, which I 
completely understand. It's very good for what it does, but that arrow 
isn't pointing in my direction.
 
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