There are always bands
that, for whatever reason, I have trouble getting into. We can't all be
fans of everything, but when I hear the near universal praise and can
barely muster a 'meh', it leads me to wonder what I'm missing out on.
One of the problems with being a bit obsessive as a music fan is wanting
to hear everything great, which means that I've given bands I don't
like more chances than I should have, just because everyone else says
they're great. Between The buried And Me is one of those bands, a
progressive metal outfit that writes the most stilted, structureless
songs that mix the worst of prog with boring death metal. And yet, here I
sit reviewing yet another of their albums. Why?
The answer to
that lies in the first single to the record, which was intriguing enough
to make me give the album a shot. It looked as though the band was
going to be toning down the death metal and playing more with
traditional prog metal, and that was something I wanted to hear for
myself.
"Node" is a strange opening for a Between The Buried And
Me record, three minutes of pianos and swirling vocals. The song is
setting up the remainder of the concept, but beginning with a ballad
that erupts in a pure Dream Theater guitar run is not what most people
would be expecting. Nor is the bouncy piano that sits in the back of the
mix of "The Coma Machine", another example of how the band is embracing
more of the traditional sound of prog metal. It's well over five
minutes into the record before the growled vocals come in, and even then
they're only around for a few lines before the song moves on to
something else.
My greatest complaint about Between The Buried
And Me persists on this record, a form of songwriting that doesn't
bother trying to logically move from one place to another. Often, these
songs sound like various ideas thrown together because there was nowhere
else to put them. While that can occasionally result in compelling
music, the scatter-shot nature of everything the band does gets annoying
after a while. Their music is like a sketch comedy show that didn't
bother finishing one scene before characters from the next come on
stage.
I do get the impression, though, that the band is at least
trying to more fully integrate their pieces together. The curve-balls
aren't as wild as they have been before, and the album has a central
sound that everything works off of, something to tether the fleeting
tangents.
I get the impression that a lot of fans will be unhappy
with this turn of events, because the core of this record is not death
metal. At its heart, "Coma Ecliptic" is a prog record, bringing out
heavy doses of Dream Theater and Rush. Tommy sings clean for a large
portion of the record, which is a move I think plays well. The vocal
lines he's able to come up with when not growling are far more
interesting to the compositions than anything his harsh voice would be
able to do.
With my complaint noted, let's get to the crux of the
album; the music. While it is still a bit scatter-shot for my tastes,
this is easily the best I've heard from the band. The slight
streamlining of the sound has allowed them to focus on making every
moment more memorable, and there are plenty of them here that are truly
great bits of music. "Memory Palace" remains the highlight, for me, the
best song I've yet heard from the band. But there are plenty of other
times, from "The Coma Machine" and "Famine Wolf" that follow suit,
sticking out immediately.
I still don't know just how much
staying power an album like this can have, but Between The buried And Me
is certainly moving in the right direction here. "Coma Ecliptic" is a
more traditional album, it is true, but it's also one that shows the
band growing into themselves as songwriters. By toning down their more
extreme elements, they may be angering some of their fans, but they have
given themselves a wider palate of sounds and feelings to work with.
There's nothing more progressive than shattering the expectations of
your listeners, and the band has done that here.
I may not be
spinning this regularly for the foreseeable future, but Between The
Buried And Me has made a good record here, and they've earned a lot more
respect from me.
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