It's not pleasant for the other members of a band when the singer
becomes synonymous with the name. That's what happened with Whitesnake,
as it became in the eyes of the public David Coverdale and whoever he
happened to have standing behind him in the latest
video. That left the members who helped build the band to languish in
the background, even as Coverdale was introducing the umpteenth version
of the band to their recent comeback success. Two of those former
members decided to step out of the shadows and form
Snakecharmer, but now that we're left with only bass player Neil
Murray, does the pun really stand for anything anymore?
In a way, yes, because Snakecharmer is still breathing life into the
bluesy variety of hard rock that Whitesnake was playing all those years
ago. Since everyone involved is a veteran with miles of experience, the
first thing that can be said about Snakecharmer
is that they are a group of professionals who have made a polished and
professional album that lives up to their skills. Depending on how you
view rock and roll, that can also be a negative, since there isn't any
grit or energy to these songs in the same way
a young and hungry band can create.
The blues are not a relaxed musical form, so the tempered performances
but forward by these old hands might not be exactly what was needed.
Everything is played and sung flawlessly, but I can't help but think
having a bit more bite to some of the guitars, or
pushing the tempos on the slower numbers, would have given the album a
bit more life.
The thing about blues-rock is that if you adhere too closely to the
standard blues riffs, there isn't always an opening for a melodic vocal.
That's what keeps songs like "Are You Ready To Fly" from, ironically,
rising up. Songs like "Follow Me Under" are far
superior, because the chorus perks up enough that the vocal is able to
bounce over the top and make for a more appealing hook. It finds the
right balance between traditional blues rock and an approach more
engaging for today.
I wish I could say they spend most of their time on that side of the
ledger, but too often they put the blues groove ahead of all else, which
is the way things used to be done, but forty years of bands playing the
same variants of those riffs has left us needing
something more to the songwriting than what we've already heard so many
times before. "Hell Of A Way To Live" is a really good song, but there
aren't enough of them on the record. Too many of these songs are
rehashing the same material these men have been
playing their entire careers. That's probably fun for them, but it
makes the present seem a bit tired.
"Second Skin" is an impeccably played album that probably does give fans
of bluesy rock who gave up on new music in 1983 exactly what they want.
But since I am not a product of that time, and my memories of
Whitesnake are with John Sykes involved, Snakecharmer's
biggest appeal is lost on me. This record isn't meant for me, which I
completely understand. It's very good for what it does, but that arrow
isn't pointing in my direction.
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