Many people were excited not too long back for the pairing
of Michael Sweet and George Lynch. Those were people generally a decade
or so older than me, who grew up listening to Stryper and Dokken, and
who wanted to relive those days once again. Of course, Stryper is still
out there doing their thing, and Michael Sweet is also making solo
albums, and George Lynch has both Lynch Mob and KXM, so I'm not sure
there was a need for either of them to make yet more records. Still, the
first album from this team was a solid effort that pleased most
everyone, and created enough anticipation for a second go-round. I just
have to say that with a Sweet solo album last year, and another Stryper
album in the works as we speak, I'm a bit worried about him running
through all of his good ideas.
Maybe it's just because I
grew up listening to the music of the 90s, but the idea of George Lynch
as some kind of guitar god has never been something I can wrap my head
around. Dokken is a band that might as well not exist to me, and nothing
I've heard from Lynch has ever impressed me more than your average,
generic rock guitarist. I say that because again here, the riffs
provided by Lynch don't stand out in the way I would like them to. He
can play, but his riffs never compete with Sweet for attention. Despite
the branding, this is clearly Sweet's show.
Speaking of
Sweet, he turns in another full-throttle vocal performance on this
album, blasting his way through these tracks. He still has all the range
and power he ever did, the latter of which he uses often.
Most
of the record sits in the comfort zone of 80s rock you would expect
from these guys. There is a curve-ball in "Walk", which morphs from
straight-ahead rocker into a Queen-esque chorus that is unlike most
anything I can remember from these recent Michael Sweet albums. It's not
only a really good song, but the uniqueness of it makes it stand out as
something easily remembered. I'll nominate it as the best track on the
album, and the one you should check out.
But the issue I
have with the album is the same one I've had with recent Stryper
releases; Sweet relies too much on his vocal power. When I say that,
what I mean is that he sometimes thinks that singing a chorus at the top
of his lungs is just as good as writing a hooky melody. Listen to "Make
Your Mark" to hear what I mean. He practically shouts through the
chorus, which barely has any melodic movement to it at all. It's rather
tepid.
That gets balanced out by tracks like "Tried
& True" and "Unified", which are more in line with what I would
want. We get doses of Lynch's slightly sleazy guitar playing, while
Sweet's hooks are far more melodic and memorable. They're very good, as
is at least half the album, which is what makes it a bit frustrating.
There's a lot to like in the approach Sweet & Lynch take on their
music, and they've produced some very good songs, but they haven't
carried it through an entire album. They're a good band making good
records, but there's the potential in their combined talents to be doing
something more. Still, this is a satisfying record for 80s rock
aficionados.
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