Oh Bloodbound, what a strange journey it has been. Before they ever
released a record, I was one of those people in the right places online
to hear about this upcoming new band that was set to do something
special. I heard "Nosferatu" that first day, and I
sensed the spark of something great. We know the story by now. Urban
Breed came, then went, then came, then went. Over the course of their
time together, Bloodbound has made two albums that I think are
fantastic, including one that is in my top twenty of all
time. Those are the two albums with Urban. The others have left no
lasting impact on me, which makes passing judgment on Bloodbound as a
band difficult to do.
I have, however, kept giving each new album a try, in the hope they can
recapture what made them great at one time. The band has found stability
in the last three albums, but that stability has come at the expense of
inspiration. Bloodbound has settled into
a predictable groove now, with each album following a template.
That's not to say they don't color around the edges a bit. This time
around, Bloodbound is throwing more keyboards back into the mix, adding a
hint of cheese and symphonic bombast to the songs. It's not a bad
approach, since these songs are not composed in
a way that puts the riffs at center stage much of the time. The one
questionable use of this tactic is evident in "Tears Of A Dragonheart",
where the keys back every syllable of the chorus. It's one layer too
many, and distracts from the hook.
Moreover, what's lacking here are those songs that have big, melodic
hooks for days. Songs like "Unholy Cross" and "Bonebreaker" from this
version of the band did that incredibly well, and it's not to be found
here. Instead, "War Of Dragons" is filled with
hooks that replicate the hits of percussion. I know that the removal of
melody has been a big trend in heavier regions of the metal universe,
but a power metal band like Bloodbound can't afford to get rid of the
defining aspect of their sound.
And by the time the woodwinds make an appearance on "Silver Wings", it's
apparent that this album is an attempt to make something out of the
Rhapsody playbook, a soundtrack to a fantasy story I don't care about. I
was cringing a bit just from the title referencing
dragons, but my utter lack of interest in anything fantasy-realm
related makes the subject matter here a chore. I don't know how power
metal got stuck on swords and dragons, but I wish they would stop.
So "War Of Dragons" continues Bloodbound's flat-line trajectory. This
incarnation of the band has found what they want to do, and they keep
churning out albums that I suppose appeal to enough power metal fans.
Myself, I find their current approach to be stale.
"War Of Dragons" isn't a bad album, but it's a bland take on something
that is meant to be grandiose. I realize they're never going to reach
the heights I remember them for, but I would like to say I see some
forward momentum for the band. Unfortunately, I
don't. Bloodbound is stable now, but that might have made them too
safe.
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