When you receive an album, you can't help but make snap judgments. While
there is the old adage that you can't judge a book (on in this case an
album) by its cover, you can make a few pretty good hypotheses based on
the outer packaging. When this new Danko
Jones album showed up, with it's retro 70's album cover, and the first
two songs both name-checking rock and roll, I felt like I had a pretty
good handle on what I was getting myself into, even if I can't say I've
listened to a Danko Jones album before. Was
I right?
I've opined many times about my distaste for songs written about
rocking. It seems to me that the single least rocking thing you can do
is whine to everyone else about how rocking you are. You can't give
yourself a nickname, and you can't declare yourself rocking.
If it isn't apparent from the music, you're not doing it right.
Danko's approach here is to be meat-and-potatoes rock and roll, with the
slightly fuzzy production you would have expected years ago. That
guitar tone, with the occasional cowbell hit, makes the record sound
older than it's intending. This isn't written like
a retro album, so the production choice is odd, and out of place. These
songs are calling out for a sharper, more biting production, and
instead have to fight through guitars that sound a bit flabby, and never
feel the least bit dangerous.
I enjoy the start/stop riffing on "You Are My Woman", which could easily
be a Black Star Riders song, but also sounds like a seriously
toned-down version of The Darkness, when they were actually a good band.
But it also leads to my biggest issue with the album.
For a project named after a singer, the vocals are a rather unimportant
part of this album. Danko's voice is fine, but his melodies are tame
and flat, rarely giving the songs anything that you would imagine
yourself singing along with. The entire album is
centered around the riffs, for that reason, which is the wrong
approach, since the band doesn't write the kind of riffs that can
support a song all on their own.
A few of them create some nice rhythms, but they are mostly repetitions
of incredibly simple chord sequences. That is the perfect backdrop for
songs that have strong melodies to balance out the sound, but we don't
get that here. Instead, we have songs that
don't have enough interesting moments to justify even the three and
four minute running times.
The album cover is a picture of a cat duo-toned to look almost alien.
That's a fitting image, because "Wild Cat" sounds like an album that has
had all the color and detail stripped away. We have nothing here but
the very skeletons of songs, and that's just
not enough to interest me when the underlying ideas aren't strong
enough. The riffs aren't catchy, and the melodies are boring. That adds
up to an album that is trying to convince itself it rocks, but I get the
feeling even Danko knows it doesn't.
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